Tomi After the Bath Tomi is fresh from her bath –         this is her private time, when she can be alone,         and hear the quiet. She delves into the world         inside, and listens, for the sweet voice         of the divine spark – her true self. The sound of violins         or guitars bubbles up         and washes clean her thoughts. For a moment her mind         is unfilled and she understands         without words. Then she is back         smiling, ready, to serve others         in the world. ©2024 Carl Scott Harker, author of Samurai Weapons

About this painting: “Woman after Bath” was created by Goyo Hashiguchi in 1920. This woodblock print captured a moment of quiet intimacy as a woman wraps herself in a towel after bathing. The composition is characterized by its serene atmosphere and delicate detailing, showcasing Hashiguchi’s skill in capturing the subtleties of human form and expression. The print is renowned for its exquisite beauty and has become one of Hashiguchi’s most admired works, reflecting the artist’s mastery of the ukiyo-e tradition and his ability to imbue his subjects with a sense of timeless elegance and grace. Art note: Tomi is the name of the artist’s model for this work.

Goyo or Goyō Hashiguchi was a Japanese painter who lived from 1880 to 1921. A prominent figure in the early 20th-century Japanese art scene, his contributions to the Shin-hanga [new woodcut (block) prints] movement, was an attempt to revitalize traditional Japanese woodblock printing techniques.

Hashiguchi’s often depicted scenes of everyday life in Japan, including landscapes, portraits, and images of women – both dressed traditionally and nude. His style was a blend of traditional Japanese aesthetics combined with modern influences. The results was artwork that were both visually stunning and culturally significant.

Despite his relatively short life, Goyo Hashiguchi left a lasting legacy in the world of Japanese art. His works continue to be celebrated for their beauty, craftsmanship, and cultural significance, influencing generations of artists both in Japan and beyond.

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Ten more great paintings by Hashiguchi:

“Woman at Her Bath” (Fūzoku Goten – Yugao) “Two Beauties” (Futari Bijin) “Woman Combing Her Hair” (Kami o kaku onna) “Three Beauties of the Present Day” (Imayō sanbijin) “The Bath” (Aburaya no fūzoku)

“Beauty Combing Her Hair” (Bijin Kamisuki) “Evening Glow at Izumi Bridge” (Izumibashi no yūgure) “The Morning Sun” (Asahi) “Beauty Removing Her Stockings” (Bijin Kutsu o nugu) “Woman Putting on a Girdle” (Koshi o hiku onna)

 

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