Discovering Pop Art – A History
May 2nd, 2011 by Aldouspi

Discovering Pop Art - A History

pop art

Today, Pop Art can be characterized by its vibrant colors, dark outlines and often playful content that make it so attractive to the general public. Although difficult to define any genre of art, Pop Art is particularly elusive in that it reflects the current fads and imagery associated with consumerism and popular culture. As a growing and constantly evolving movement, few people realize Pop Art was founded over five decades ago.

The Golden Age of the Pop Art movement took place between 1958 and 1975. It was one of the biggest art movements of the twentieth century, despite many critics denouncing this new style as "kitsch", or a tasteless and cheap imitation of true, valuable art. The term Pop Art was first coined by Lawrence Alloway, an English art critic, in an edition of Architectural Digest. He used this phrase to describe a break from the elitism that was associated with the predominant art of the time.

The Pop Art movement was the result of a combination of two factors: the 1950's postwar economic boom and a general frustration among artists with Abstract Expressionism. After World War II, the market for consumer goods ballooned as a growing middle class began to indulge in luxury items. As a result, advertising agencies expanded their grasp on the American landscape and utilized radio, television and print to drive demand. This led to products being mass marketed and advertised like never before.

During this boom, many artists were becoming frustrated with the predominant art style of the time, Abstract Expressionism. Abstract Expressionism was a nontraditional art form popular in the early half of the twentieth century. It expressed ideas and emotions through abstract or nonrepresentational means.

A backlash developed against this style, first in Britain and then the United States. Many artists believed it was elitist and exclusionary, as its content was often left to scholars for interpretation. Others noted that these pieces were solely found in the galleries of renowned museums, or in the expensive homes of private collectors.

A desire emerged to make art more accessible to the average American. Artists wanted to take their work out of galleries, and allow them to be appreciated in everyday homes. They began to create content and imagery that was familiar to the blue collar consumer, with a message or meaning that was decipherable.

A handful of artists such as Andy Warhol, Roy Lichtenstein and Tom Wesselmann were pioneers in the history of Pop Art. They recognized the value of comic book pages and modern advertising, and drew inspiration from magazines, television and even film.

Since this Golden Age of Pop Art, a number of waves have come after it. Each generation of Pop Art artists have interpreted the influence of mass media on society differently.

Today, artists such as Romero Britto, Carlos Navarro and Tim Rogerson are a part of the Neo-Pop Art movement. This new chapter in the history of Pop Art utilizes vibrant colors and cartoon themes to convey often complex forms and ideas. Although Pop Art spans over 50 years and has evolved greatly, the original objective of bringing art in to the home of the average American persists.

Pop Art Miami is an informational portal and Pop Art vendor. They are the largest online destination for Pop Art from Romero Britto, Carlos A. Navarro, and Tim Rogerson. They have a retail location in the Dolphin Mall in Miami, and offer unmatched $9.95 shipping on your entire order within the USA, as well as great low rates for international shipping. Visit them on the web at http://www.popartmiami.com .


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A Bit About Giclee And Lithograph Prints
Mar 14th, 2011 by Aldouspi

A Bit About Giclee And Lithograph Prints

Giclee pin-up

The history of printing goes back to wood-block printing in AD 200, through movable type and the printing press in the Middle Ages. However, the idea of producing acceptable copies of artwork did not get off the ground until the invention of lithography in 1796.

Since then, reproducing artwork has evolved into the high quality process known as giclee printing, which began in the late 1980's and has developed into a method of producing long-lasting, exceptionally high-quality prints.

With wood-block or engraved printing, an image is cut into a flat surface causing cavities that hold the printing ink. Lithography, on the other hand, uses basic chemistry to produce an image by creating areas on the printing plate (originally made from stone) that are either water attracting or repelling. These areas then either attract or repel the printing ink to produce the artwork.

In the modern lithographic process, the stone plate has been replaced by a flexible plate - usually thin aluminium, Mylar or polyester - that is covered with a light sensitive emulsion. A photographic process is then used to transfer a negative image to the plate, which leaves a copy of the image in the emulsion.

The plate is then placed on a roller that interacts with a second roller covered by rubber. The image is transferred to the rubber-covered roller, which then prints the image on paper fed through the rollers. Because the image is transferred from the printing plate via the rubber roller, the process is often known as offset printing.

Now, artists are turning to the modern giclee process instead of using plates and rollers. The giclee process uses a digital image and an inkjet printer. The name itself comes from the French verb "gicler" - to squirt or spray - and refers to the application of the printing inks by the inkjet printer.

Modern giclee printers use fade-resistant inks that result in a long-lasting, perfectly clear reproduction of the original master. Unlike lithographic printing, where each image requires a print plate for each of the four color inks used in the process - cyan, magenta, yellow and black - and requires that the four separate color images be perfectly aligned, the giclee process produces the image in one hit.

Apart from the improvement in quality, giclee prints are also cheaper to produce and can be produced in low volumes on demand. The artist and printer can also cut costs without the need to store four master plates. Also, as the cost of giclee inkjet printers falls, it is becoming economical for individual artists to acquire their own printer, allowing total control of the reproduction process.

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Shunga, An Introduction To A Japanese Mystery Art Form
Nov 18th, 2010 by admin

Shunga, An Introduction To A Japanese Erotic Mystery

Shunga, which literally "Images of Spring," is the generic term used to describe erotic prints, books, scrolls and paintings of Japan.    

History  

The beginning of the shunga genre is connected with the origins of Ukiyo-e ('Images of the floating world') and starts with the work of Hishikawa Moronobu and his school between 1660-1670. Originally shunga were published as erotic manuals (guides) for the most popular courtesans in houses of pleasure. But with the growth of prosperity, the expansion of the brothels in Edo (today's Tokyo) and the alterations in the Japanese caste system with the merchants getting wealthier, embracing a hedonistic lifestyle, shunga gained a more diverting purpose. 

Shops in the pleasure quarters of Edo, called the Yoshiwara, sold shunga prints and books as souvenir to the visitors of the brothels. Shunga were also offered as dowry to newly-weds as an educational guide. Around 1765 with the transition to multi-colour woodblock printing, before woodblock prints were colored either by hand or printed with a limited palette, the shunga genre entered new ground (both aesthetically and commercially).

This revival lasted another century ending at the start of the Meiji period (1868-1912) when Japan opened its economic and cultural gates to the West. During the Meiji period only a few artists specialized in designing shunga prints which were mainly influenced by Western art.      

Subjects and Themes  

At first glance a shunga image can have a confrontational effect on the (Western) viewer because of the undisguised way the subject matter has been portrayed or the exaggerated depiction of genitalia. Once accustomed, he can experience the striking compositions and use of color, the humor and the daring handling of themes.

The shunga genre accommodates a wide range of themes. Besides the rendering of conventional heterosexual love-making mostly between married couples or courtesans and their clients, it also dealt with the homosexual and lesbian acts of love, scenes involving hermaphrodites, mythical figures, ghosts, Westerners, bestiality and even necrophelia.      

Censorship 


In Japan, during the reign of the Tokugawa shogunate from 1660 to 1868, shunga were seen as objects injurious to public morals and subject to unavailing censorship.

Shunga Today  

"Recently it has become more widely admitted that, at their best, they are to be ranked - with works by Western artists of the caliber of Dürer, Rembrandt and Degas - among the finest of all graphic art". (Tom Evans -in ' Shunga, The Art of Love in Japan' )  

Over the last decade the attitudes in Japan regarding shunga have changed resulting in the publication of a huge quantity of books including uncensored material and shunga studies in Japan.

In the West, the publications on shunga started in 1975 with the ground-breaking book 'Shunga, The Art of Love in Japan' by Tom and Mary Evans followed by Jack Hillier's 'Art of the Japanese Book' in 1987. The memorable exhibition in 1989 at the Musée d'Ilx-elles in Brussels, where the most impressive works in the show were of the shunga genre, also contributed to a renewed interest.

In 2005, a unique exhibition was held in the Kunsthal Rotterdam called 'Lentelust' with a chronological overview of this art form. A new extensive publication on shunga by Gian Carlo Calza has been planned for the Spring of 2010.      

Books on Shunga  

'Shunga, the Art of Love in Japan'  (1975) - Tom and Mary Evans

'Art of the Japanese Book' (1987) - Jack Hillier

'The Complete Ukiyo-e Shunga'  (1995 to 2000) - R. Lane and Y.Hayashi    

'Shunga, the Erotic Art of Japan'  (1997) - Marco Fagioli

'Sex and the Floating World'  (1999) - Timon Screech

'Japanese Erotic Prints'  (2002) - Inge Klompmakers

'Japanese Erotic Fantasies' (2005) - C. Uhlenbeck and M. Winkel      

 

Important Shunga Artists  

Hishikawa Moronobu (? -1694)  Suzuki Harunobu (c.1725-1770) Isoda Koryusai  (1735-90)   Kitagawa Utamaro (1753 -1806)   Torii Kiyonaga (1752-1815) Katsukawa Shuncho (act. c.1780s-early 1800s) Katsushika Hokusai (1760-1849) Yanagawa Shigenobu (1787-1833) Keisai Eisen (1790-1848) Kikugawa Eizan (1787-1867) Utagawa Kuniyoshi (1797-1861)  Utagawa Kunisada (1786-1865) Kawanabe Kyosai (1831-89)          

We have a website called AK-Antiek and are located in Coevorden, the Netherlands. We offer a large and varied collection of antique, jewelry and art. On the following pages you can find more info on the beautiful art of shunga: http://www.akantiek.nl/shunga.htm and http://www.akantiek.nl/shun8.htm . Click on the following link for more info on shunga's designed by the famous Ukiyo-e artist Hokusai: http://www.akantiek.nl/hokusai.htm ---- Article from articlesbase.com



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